![]() Preproduction and Using an iPad During a Shootįor photographers, the iPad experience of 2020 is almost unrecognizable compared to where it used to be.It needn’t do so entirely - I’m happy to continue using my desktop-based collection of apps when I’m at home and need their specific capabilities - but I should feel confident taking nothing but an iPad with me when I head out on a shoot or take my next trip. The ideal scenario is to be able to trust the iPad to replace a laptop as my daily photography companion. To be practical, an iPad photography workflow has to encompass everything from shooting, importing, culling, editing, and the final export. Happily, many of the updates feel custom-tailored to the needs of photographers using an iPad, and as someone who’s inhabited that role for years now - I haven’t owned a laptop in nearly a decade - I’m thrilled. It’s also clear that they would like to welcome additional kinds of users into the fold - including those who have more demanding workflows. Their answer, which we’re finally seeing take shape, is that the iPad is meant to be the center of a modular computer system that adapts to the needs of its users. When we first published this guide in early 2018, the iPad was still emerging from the doldrums of an identity crisis.įor years, it seemed Apple wasn’t sure what they wanted it to be: a serious computer for “real work”, a basic consumption device, an artist-focused creative tool, or even something in between.
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